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    January 21

    Where are you going, Mike?

    The first pop song I’ve listened to and still had a vivid memory of is Michael Jackson’s “Billie Jean”.

    I was going on to 7th grad, second semester. I didn’t have many friends in the class. Actually I had 2 friends and that’s all.

    Hong was the class representative. To say “a representative” is probably not quite the idea of what it was. At that time, a class representative had more authority and superiority than we perceived nowadays. Maybe it’s still the same in Taiwan now, I have no idea. But usually, a person who became a class representative had always got high scores in exams, well behaved and was the “smartest” in the class. A model student for the rest of the class to look up to. Maybe the direct translation would be more fitting. The way we say it, a class leader. And Hong was exactly like that. He was tall, skinny, good looking and smart. I suppose at that age, he had more experience of certain things than I had. One time I went to his house, he showed me a porn videotape and asked me if I would like to see it. “Let’s see it.” I said. But not long after he started playing it, his parents were home and we had to stop it. It was like maybe 15 seconds of viewing. I couldn’t remember what was on that video anymore. But the next time I had a chance to see a porn video was probably 5 years later.

    Yao was exactly the opposite of Hong. He was the black sheep. His scores were probably around the last 10% of the class and he made trouble from time to time. He was not expected to grow up as a successful person in any way. In an environment where people were valued by how you score in exams, unfortunately everybody thinks this way.

    As for me, I was a so so student. Of course I had my subjects that I was good at. Sometimes I scored high and sometimes not so well. After learning English for a year, I had no clue that English was a phonetic language, that the way you write it was just the way you pronounce it. That it wasn’t the same system as Chinese. I had trouble understanding it.

    It was strange how the three of us would hang together. But we did. Even though the friendship didn’t last long. One evening after school, we were biking home and Hong suggested stopping by a record store. He said hello to the boss and quickly picked out some record tapes. One of them was a compilation of top 20 pop songs put together by a local record company. He told me, pointing to a title on the tape, “You should listen to this one, it’s really good.” And that was “Billie Jean”.

    That’s how I started listening American pop music. Year 1983, January. We were like a stripped down version of the Three Musketeers, riding our bikes to visit the record store every week. On Saturday evening, I used to rush home to watch a top 10 music video countdown TV show hosted by Yu Guang, a bolding mid-aged music veteran with a heavy mustache. That’s where I saw “Beat it” and “Thriller”.

    Thinking about it, I was lucky to be introduced into this by the king of pop music, Michael Jackson. The timing was nice. I appreciated “Thriller” MV, but I had no idea how revolutionary it was because that was the very beginning of my MV experience.

    February 17

    Ostinato

    I can't believe I actually sat through the whole two hours of VH1 top 20 countdown last night.
    The last time I did this would be, like, ten years ago? Well, that's how old I am. Nevertheless, from the extend I enjoyed it, I find myself still a pop song sucker.
     
    The top 20 list of the 1st week of Feb, 2006 was nothing extraordinary. Beyonce's "Check on it" is top 1 for the third week. Black eyed peas' "Pump it" is a strong single that seemingly will take over number one soon. I love Mary J. Blige. Mariah Carey never changed in 20 years. Jamie Foxx's "Unpredictable" is lame. Pink's "Stupid girls" is interesting,  but, yeah, right, I know what you are saying, but, comm'on don't everybody all know that?
     
    James Blunt's MV "You're beautiful" is quite simple and remarkable. I like this kind of stuff. I imagine myself driving down a straight road in a sunny afternoon in Vancouver with his music blasting on my car stereo. I'd sing along with a ripping-heart-out loudness in the car. That's the picture I have about pop rock. Somehow it's comforting and satisfying.
     
    Compared to most people born in Taiwan, I might have a little more music lessons during my adolescence. But that's what I am guessing, not that I have any statistics number to prove it. Because the nature of competitive education system, music lesson is regarded as a leisure class in high schools. Nobody took it serious unless you are a music related major student. So most my classmates went to the class, took naps and hardly pay attention.

    I was the same case. I took several piano lessons when I was 13 or 14 also learned some guitar when I was in college. During the weekend, I'd gone to the church and joined the adolescent choir practice. At first I sang in Bass. Then because every new kid joined the choir sang in Bass, so I moved to tenor. But I guess I don't have much music talent in me, till this day I still can't read scores.
     
    Only the 1st year of music classes in my high school (the rest two years of music classes were used for taking exams or mathematics, I guess that's because mathematics always has something to do with music), we got to listen to symphonies, were introduced to the trends of classical music and did presentations to fellow classmates.
     
    The presentation I did was about a Chinese symphony of "Red Chamber Dreams". It was a sort of easy task. I simply told the part of the story that was depicted in the section and played the CD for everyone then repeated for every section. So the music would go with the story. I guess I was the first person who had read the book in my class, so no one really knew I was not that good a story teller.
     
    "The ostinato technique has been used in a number of composing procedures in every historical period beginning in the thirteenth century." The music teacher said. I dozed off and just came back to focus when I heard her.
    She sat next to the piano and played a piece of music to show us.
     
    A musical sentence that keeps stubbornly repeating itself. I find some kind of underlining motif that feels awfully like Krzysztof Kieslowski's world.
     
    So here is the argument:
    1. We don't want to be manipulated by fate.
    2. We don't want to be manipulated by anybody. We want to follow our 'heart' to do things that'll make us happy.
    3. How do we know that it's not Fate which determined (long ago) how we will feel about things we feel? In another word, we choose to turn left instead of right is because turning left make us happy. But isn't it the very same Fate made our heart prefer turning left long before we were born?
    Do I make any sense?
     
    Ah, the order of the universe.


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    May 25

    still looking...

    I am still looking for this album, [Waltz for Debby] by Bill Evans.

    Not planning to buy it though, I haven't bought any CD's in a long time.

    If anyone has it, I would like to borrow it.

    Talking about buying CDs, I am tempted to buy the soundtrack of [Greek Trilogy: The weepeing meadow].

    Last week when a friend of mine came to visit from Paris, we went to a record store in Chinatown. I saw [2046] DVD lying there on the shelf. Tried very hard to not buying it, but since then thinking about it all the time.

    It's just 15 bucks, damn it. I am cheap.